Frankiezafe (Talk | contribs) (→Into me) |
Frankiezafe (Talk | contribs) (→Black panther) |
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The male figures are surrounded by women, nearly no secondary roles in the black suite of the two protagonists are men: | The male figures are surrounded by women, nearly no secondary roles in the black suite of the two protagonists are men: | ||
− | * mother of the king (former queen) | + | * mother of the king (former queen), |
− | * sister (scientist) | + | * sister (scientist), |
− | * future wife (undercover agent) | + | * future wife (undercover agent), |
− | * general (in love with a tribe's chief) | + | * general (in love with a tribe's chief), |
− | * hacker | + | * hacker (cousin sidekicks). |
The king's tribe is the only one to have female elite troops, all other have a traditional male only army (gorillas & rhinos). Even if the overall structure is safe, the king keeping its dominant position at the end of the movie and therefore keeping the patriarchal social order, the massive presence of secondary roles generates a fresh breeze across the movie. Some aspects of the king are to be noticed: | The king's tribe is the only one to have female elite troops, all other have a traditional male only army (gorillas & rhinos). Even if the overall structure is safe, the king keeping its dominant position at the end of the movie and therefore keeping the patriarchal social order, the massive presence of secondary roles generates a fresh breeze across the movie. Some aspects of the king are to be noticed: | ||
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* the king is mentored by a woman (the general), | * the king is mentored by a woman (the general), | ||
* all young women characters participate in the last combat against male troops, | * all young women characters participate in the last combat against male troops, | ||
− | * the king proposed a healing to his cousin instead of "finishing him" | + | * the king proposed a healing to his cousin instead of "finishing him". |
− | In the racial point of view, the movie is dangerous because it | + | In the racial point of view, the movie is dangerous because it presumes an hidden & technologically advanced african country able to inverse to power relationship between africa and the rest of the world. Even if a fiction can be a powerful kick to free humans from slavery, the way to do it is via an kind aristocracy. The underlying theme of africa oppression is embodied by the vilain, who planned a violent inversion of north/south the power relationship. Even if the movie stays in the entertainment area, it has the merits to talks about unsolved noth/south issues. |
=== Ni juge ni soumise === | === Ni juge ni soumise === |
in visioning chronological order, newest first
Same kind of structure as in the chinese movie: the aristocracy of blood-right is not taken down at the end of the movie, but the story has modified the main male character.
The male figures are surrounded by women, nearly no secondary roles in the black suite of the two protagonists are men:
The king's tribe is the only one to have female elite troops, all other have a traditional male only army (gorillas & rhinos). Even if the overall structure is safe, the king keeping its dominant position at the end of the movie and therefore keeping the patriarchal social order, the massive presence of secondary roles generates a fresh breeze across the movie. Some aspects of the king are to be noticed:
In the racial point of view, the movie is dangerous because it presumes an hidden & technologically advanced african country able to inverse to power relationship between africa and the rest of the world. Even if a fiction can be a powerful kick to free humans from slavery, the way to do it is via an kind aristocracy. The underlying theme of africa oppression is embodied by the vilain, who planned a violent inversion of north/south the power relationship. Even if the movie stays in the entertainment area, it has the merits to talks about unsolved noth/south issues.
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