|
|
| Line 1: |
Line 1: |
| − | == Solo exhibition == | + | == theory == |
| | | | |
| − | {| class="wikitable"
| + | “Free software” means software that respects users' freedom and community. Roughly, it means that the users have the freedom to run, copy, distribute, study, change and improve the software. Thus, “free software” is a matter of liberty, not price. To understand the concept, you should think of “free” as in “free speech,” not as in “free beer”. We sometimes call it “libre software,” borrowing the French or Spanish word for “free” as in freedom, to show we do not mean the software is gratis. |
| − | ! width=5% | year
| + | >> [https://www.gnu.org/philosophy/free-sw.en.html What is free software?] |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| | | | |
| − | |-
| |
| − | |2015
| |
| − | |July
| |
| − | |Matière / Plan / Espace – Galerie Charlot – Paris – France
| |
| | | | |
| − | |-
| + | In order to foster a free and fair society I affirm that I will practice my profession with responsibility and with dignity. |
| − | |2013
| + | >> [https://manifesto.responsiblesoftware.org/ Manifesto for Responsible Software Development] |
| − | |December
| + | |
| − | |Fragments #43-44 (interactive installation) – Point Culture – Bruxelles – Belgium
| + | |
| | | | |
| − | |-
| |
| − | |2013
| |
| − | |December
| |
| − | |HUM (interactive installation) – Point Culture – Bruxelles – Belgium
| |
| | | | |
| − | |-
| + | '''Reading Interfaces''' - http://reader.lgru.net/collections/reading-interfaces/ - ''The division and the implicit hierarchy between the user who accesses the interface and the developer who has insight into the underlying code sparks many questions. How does an interface expose and translate the underlying digital objects? To what extent does it frame and script the user behaviour? Are coding skills necessary for computer literacy? And is it possible to actively/deeply engage with software, if one confines oneself to the provided interface?'' |
| − | |2013
| + | * '''(echo echo) echo (echo): Command Line Poetics''' - http://reader.lgru.net/texts/echo-echo-echo-echo-command-line-poetics/ - ''Most arguments in favor of command line versus graphical user interface (GUI) computing are flawed by system administrator Platonism''... |
| − | |September
| + | * '''Alan Kay, "A User Interface: a Personal View"''' -http://reader.lgru.net/texts/about-alan-kay-a-user-interface-a-personal-view/ - ''Alan Kay is one of the most important figure in the history of human/computer interaction. He and his team at Xerox PARC have conceived many tools and paradigms that shape today's computing, including object oriented language, "windows, icons, menus, pointer" style of interaction, etc.''... |
| − | |MashtaCycle visuals – Quizaine numérique – Arts² – Mons
| + | * '''Turing complete user''' - http://reader.lgru.net/texts/turing-complete-user/ - ''Computers are getting invisible. They shrink and hide. They lurk under the skin and dissolve in the cloud. We observe the process like an eclipse of the sun, partly scared, partly overwhelmed. '' |
| | + | * '''Inside Photoshop''' - http://reader.lgru.net/texts/inside-photoshop/ - ''Contemporary media is experienced, created, edited, remixed, organized and shared with software.''... |
| | | | |
| − | |-
| + | == utils == |
| − | |2013
| + | |
| − | |April
| + | |
| − | |Code art & prints – Galerie Charlot – Paris – France
| + | |
| | | | |
| − | |-
| + | * [http://bbiblio.weebly.com/uploads/2/1/0/9/21090690/algebreetgeometrie.pdf MATHÉMATIQUES, Algèbre et géométrie, objectif licence] |
| − | |2012
| + | * [https://www.slant.co/topics/1411/~ides-for-c-on-linux IDEs for C++ on Linux?] |
| − | |April
| + | |
| − | |Installation vidéo & impressions – Galerie Charlot – Paris, France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |October
| + | |
| − | |“Pensées d'espace” Dessin & sculture – Maison du Hainaut – Charleroi
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |May
| + | |
| − | |Installation interactive, vidéo & impressions – Galerie Charlot – Paris, France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2009
| + | |
| − | |May
| + | |
| − | |Installation interactive – BRASS, Forest
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Performances / Live ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |May
| + | |
| − | |Tanukis performance – [http://2017.adaf.gr/events/tanukis/ ADAF] – Athènes – Greece
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |November
| + | |
| − | |Tanukis performance – Maison de la marionnette – Tournai – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |October
| + | |
| − | |Visuals for A winged victory for the sullen – Mira Festival – Barcelona – Spain
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |April
| + | |
| − | |Tanukis performance – Espace Pasolini – Valenciennes – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |October
| + | |
| − | |Tanukis performance – Databit.me – Arles – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |October
| + | |
| − | |Tanukis performance – Vice Versa 1.0 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |September
| + | |
| − | |Tanukis performance – Citysonic – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |June
| + | |
| − | |Fragments #43-44 – Bains numériques – Enghien-les-Bains – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |May
| + | |
| − | |Tanukis performance – l'hybride – Lille – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |May
| + | |
| − | |Fragments #43-44 – Mai Numérique 2014 – Malves– France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |March
| + | |
| − | |Fragments #43-44 – Videoformes – Clermont-Ferrand – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |January
| + | |
| − | |Tanukis performance – Electronic Bazaar #4 – Lille – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |April
| + | |
| − | |Laptop Orchestra vs Michael Schmid – La Raffinerie – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |Augustus
| + | |
| − | |Laptop Orchestra vs Michel Doneda – Citysonic – Maison Folie – Mons
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Group exhibitions ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2017'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |June
| + | |
| − | |Genealogy v5 – [http://artour.be Artour 2017] - La Louvière – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2016'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |November
| + | |
| − | |[https://www.facebook.com/events/1788820314716758/ WEPORN] – Galerie Levy-Delval – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |September
| + | |
| − | |Genealogy v5 – [http://www.sophiepouille.com/?portfolio=espaces-intuitifs Espaces intuitifs] – Annecy-le-Vieux – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |June
| + | |
| − | |[http://imal.org/en/iterations2 Iterations #2] – Imal – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |May
| + | |
| − | |Territoires & Genealogy v5 – [http://few-art.org/ FEW] – Wattwiller – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2015'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |November
| + | |
| − | |Bloom! – [http://transnumeriques.be/en/francois-zajega/ Transnumériques] – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |September
| + | |
| − | |Genealogy v5 – [http://en.calameo.com/books/0027105679f6e1b36af55 BOÎTES NOIRES, Empreintes du monde et paysages intérieurs] – Planetarium de vaulx-en-Velin – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |June
| + | |
| − | |VOID – [http://www.lart-chetype.eu/ Art ACt Need 2.15] – Beaux-Arts de Mons – Belgique
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |April
| + | |
| − | |Carnages – [http://lapanacee.org/fr/evenement/found-pixels-0 Found Pixels] – La Panacée, Montpellier – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |April
| + | |
| − | |Disrupted cities – [https://www.facebook.com/events/359255590927350/ Festival de vidéomusique] – Montréal – Canada
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2014'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |October
| + | |
| − | |Tumbleweed prints – [http://variation.paris/en/ Variation, paris media art fair] – Paris – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |October
| + | |
| − | |Fragments #43-44 – Paysages électroniques / installations sonores #2 – Valenciennes – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |September
| + | |
| − | |Disrupted cities – [http://popupkinofest.tumblr.com POP UP KINO event] – Berlin – Germany
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |August
| + | |
| − | |Carnages – [https://exquisitecorpsevideoproject.wordpress.com/ The exquisite corpse video project vol. 4] – Cartagena – Colombia
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |May
| + | |
| − | |Carnages – [http://www.atelierduweb.be/ Ateliers du web] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |May
| + | |
| − | |Carnages – [https://exquisitecorpsevideoproject.wordpress.com/ The exquisite corpse video project vol. 4] – Toronto – Canada
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2013'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |December
| + | |
| − | |Group exhibition, collaborative project – Fragments #43-44 (interactive installation) – Oooh! festival – Luxembourg – Luxembourg
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |October
| + | |
| − | |Code art & prints – Slick 13 – Paris – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |September
| + | |
| − | |MashtaCycle visuals – CitySonic – Salle Saint-Georges – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |June
| + | |
| − | |Code art & prints – [https://scope-art.com/ SCOPE Basel] – Basel – Switzerland
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |May
| + | |
| − | |Tyranoeil – [https://en.wikipedia.org/wiki/Zinneke_Parade Zinneke] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |April
| + | |
| − | |Code art & prints – Slick Brussels – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |March
| + | |
| − | |Video installation – La Coroutine – Lille
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |February
| + | |
| − | |Video installation – Jumble art2 – Gare Saint-Sauveur – Lille
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2012'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |June
| + | |
| − | |Impressions – Théâtre de la vie – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |May
| + | |
| − | |Interactive installation – CitySonic – Maison Folie – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |May
| + | |
| − | |Sculture – Parcours d'artistes – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |March
| + | |
| − | |Vidéo et impressions – Art Karlsruhe – Karlsruhe, Allemagne
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |February
| + | |
| − | |Installation – Théâtre de l'L – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2011'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |Octobre
| + | |
| − | |Group exhibition– Interactive installation – La Raffinerie (Charleroi danse) – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |May
| + | |
| − | |“Arts et Science” – Interactive installation – Château de Seneffe
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''2010'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |November
| + | |
| − | |“Quatuor” – Interactive installation – Espace accueil, Louvain-la-Neuve
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |October
| + | |
| − | |“Prix Hamesse” – Dessin – Fondation Pierre-Paul Hamesse – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |May
| + | |
| − | |Interactive installation – Atelier du Web – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |May
| + | |
| − | |Dessin & impressions – Parvis de Saint-Gilles – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |May
| + | |
| − | |Installation générative – Académie des Beaux-Arts de Saint-Gilles – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |colspan="3"|'''< 2010'''
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2009
| + | |
| − | |September
| + | |
| − | |HUM – BRASS, Forest
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2008
| + | |
| − | |May
| + | |
| − | |Interactive installation – Paprika asbl – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2006
| + | |
| − | |May
| + | |
| − | |Interactive installation – Paprika asbl – Bruxelles
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Residences / research group ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |July
| + | |
| − | |[http://artes.ucp.pt/enterface17/ Enterface 2017] – Universidade Catolica Portuguesa – Porto – Portugal
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |May
| + | |
| − | |[http://possiblebodies.constantvzw.org/inventory/ Possible Bodies] – Akademie Schloss Solitude – Stuttgart – Germany
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |December
| + | |
| − | |Tanukis - [http://imal.org Imal] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |Augustus
| + | |
| − | |[http://www.enterface.net/enterface15/ Enterface 2015] – UMONS – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |April
| + | |
| − | |Tanukis - [http://www.espacepasolini.fr/ Espace Pasolini] – Valenciennes – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |October
| + | |
| − | |Tanukis - [http://databit.me Databit.me] – Arles – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |February
| + | |
| − | |Tanukis - [http://www.espacepasolini.fr/ Espace Pasolini] – Valenciennes – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |January
| + | |
| − | |Tanukis - [http://http://greylightprojects.org/ Greylight projects] – Bruxelles – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |October
| + | |
| − | |Tanukis - [http://www.espacepasolini.fr/ Espace Pasolini] – Valenciennes – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |April
| + | |
| − | |Laptop orchestra - [http://www.charleroi-danse.be/ La raffinerie] – Bruxelles – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |January
| + | |
| − | |Laptop orchestra - [http://www.charleroi-danse.be/ La raffinerie] – Bruxelles – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |July
| + | |
| − | |[http://enterface12.metz.supelec.fr/ Enterface 2012] – Supélec – Metz – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |Augustus
| + | |
| − | |[http://enterface11.zcu.cz/ Enterface 2011] – University of West Bohemia – Pzlen – Czech Republic
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2009
| + | |
| − | |February
| + | |
| − | |HUM - Résidence au BRASS, Forest
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Teaching ==
| + | |
| − | | + | |
| − | Since September 2013, assistant at [http://artsaucarre.be Arts²], ''arts numériques'' department.
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=10% | duration
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |Augustus
| + | |
| − | |4 days
| + | |
| − | |Modelling with blender – Imal – Brussels – Belgium - Trainer
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |May
| + | |
| − | |5 days
| + | |
| − | |Rhombo III - 2/2 – Villa Arson – Nice – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |April
| + | |
| − | |2 days
| + | |
| − | |Blender advanced – Imal – Brussels – Belgium - Trainer
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |March
| + | |
| − | |2 days
| + | |
| − | |Introduction to blender – Imal – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |February
| + | |
| − | |4 days
| + | |
| − | |Cultures numériques – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |January
| + | |
| − | |5 days
| + | |
| − | |Meta Machine – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |December
| + | |
| − | |1 day
| + | |
| − | |Introduction to blender – KASK – Gent – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |December
| + | |
| − | |5 x 2 hours
| + | |
| − | |Processing advanced – UMONS – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |November
| + | |
| − | |5 days
| + | |
| − | |Rhombo III - 1/2 – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |October
| + | |
| − | |3 days
| + | |
| − | |Memory learning – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |July
| + | |
| − | |4 days
| + | |
| − | |Modelling with blender – Imal – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |April
| + | |
| − | |3 days
| + | |
| − | |Blender intro – Imal – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |February
| + | |
| − | |5 x 6 hours
| + | |
| − | |Programmation – ERG – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |February
| + | |
| − | |5 x 6 hours
| + | |
| − | |Rhombo II - 2/2 – [5 days] – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |January
| + | |
| − | |3 days
| + | |
| − | |3D glitch – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |November
| + | |
| − | |5 days
| + | |
| − | |Rhombo II - 1/2 – Villa Arson – Nice – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |October
| + | |
| − | |5 x 2 hours
| + | |
| − | |Processing advanced – UMONS – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |February
| + | |
| − | |4 x 3 hours
| + | |
| − | |Blender basis – F/LAT – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |February
| + | |
| − | |5 days
| + | |
| − | |Rhombo I - 2/2 – Arts2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |November
| + | |
| − | |5 days
| + | |
| − | |Rhombo I - 1/2 – Villa Arson – Nice – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |April
| + | |
| − | |
| + | |
| − | |[http://blender-brussels.github.io/ bpybgebxl] – [monthly meeting, organiser] – Bruxelles – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |January
| + | |
| − | |3 x 4 hours
| + | |
| − | |Intervention – Semaine de verticalité, atelier Transcrire, "Machine à dessiner" – Instituts St-Luc – Brussels – Belgium
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Conferences ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |July
| + | |
| − | |Polymorph engine – [https://2017.rmll.info/ RMLL] – Saint-Étienne – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |March
| + | |
| − | |Home Cinema 3.17 – [http://trafic.li/ Trafic] – Lausanne – Switzerland
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |February
| + | |
| − | |Culture numérique – [http://erg.be ERG] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2017
| + | |
| − | |February
| + | |
| − | |Polymorph engine – [https://archive.fosdem.org/2017/ FOSDEM] – ULB – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |December
| + | |
| − | |Art/science collaboration – [https://www.univ-lille3.fr/recherche/actualites/agenda-de-la-recherche/?id=1548 FOOR], [http://lille1tv.univ-lille1.fr/videos/video.aspx?id=8f8c3b4d-691c-446c-8e03-12c73f62e965 vidéo] – Lille3 – Lille – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |May
| + | |
| − | |[http://www.few-art.org/pdf/2016zajega.pdf Rencontre avec François Zajéga, Présentation de son travail et de son utilisation des logiciels open source] – FEW – Wattwiller – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2016
| + | |
| − | |March
| + | |
| − | |[http://imal.org/en/activity/dorkbotbru13 DorkbotBRU#13] – Imal – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |November
| + | |
| − | |Skeleton Merger - Mocap tools for distributed sensors – [http://f-lat.org/kiwi/doku.php/tmp:lvrm LVRM] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |October
| + | |
| − | |Bloom! – Vice versa #2 – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2015
| + | |
| − | |April
| + | |
| − | |Art(s) numérique(s)? – La semaine numérique – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |February
| + | |
| − | |opensource & démarche artistique – [http://erg.be ERG] – Brussels – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2014
| + | |
| − | |February
| + | |
| − | |Interfaces "Touchless", de la 2D à la 3D. – Transcultures, Territoires augmentés numériques – Faculté d’Architecture et d’Urbanisme, UMONS – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |October
| + | |
| − | |ProcessingBGE, a blender game engine API noobisation – Blender Conference – Amsterdam – Nederlands
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |July
| + | |
| − | |Medianeum: gesture-based ergonomic interaction – [http://www.intetain.org/2013/show/home Intetain 2013] – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |July
| + | |
| − | |Kinect-based explicit interaction ( workshop ) – CUTE – Mons – Belgium
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |May
| + | |
| − | |Rencontre avec un artiste : François Zajéga – Paris ACM SIGGRAPH – Paris – France
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |April
| + | |
| − | |Melon, a kinect based controller – [http://libregraphicsmeeting.org/2013/index.html LGM 2013] – Medialab Prado – Madrid – Spain
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |March
| + | |
| − | |Présentation – [http://lecube.com/fr/anthropologies-numeriques-2eme-edition_2309 Anthropologies Numériques] – Le Cube – Paris – France
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Publications ( scientific & not ) ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |June
| + | |
| − | |MashtaCycle: On-Stage Improvised Audio Collage, co-author – Numédiart – Mons [https://link.springer.com/chapter/10.1007%2F978-3-319-03892-6_14 *]
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |March
| + | |
| − | |“Medianeum: Crafting interactive timelines from multimedia content”, co-author – Numédiart – Mons [https://link.springer.com/chapter/10.1007%2F978-3-319-03892-6_12 *]
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |December
| + | |
| − | |“Kosei, A kinect observation system based on Kinect and projector calibration”, co-author – Numédiart – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |Septembre
| + | |
| − | |“Cartagena”, author - SuperStructure 1.1 - revue
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |Avril
| + | |
| − | |“Abri Anti Atomique, Le guide de l'artiste plasticien”, author - SuperStructure 1 - revue
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2012
| + | |
| − | |January
| + | |
| − | |Simulation technologique et matérialisation artistique: Une exploration transdisciplinaire arts/sciences, authors: Samuel Bianchini, Nathalie Delprat, Christian Jacquemin – L'Harmattan.
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |Octobre
| + | |
| − | |“Création numérique en Fédération Wallonie-Bruxelles Soutiens 2006-2010” - livre réalisé par la Fédération Wallonie-Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |September
| + | |
| − | |[https://independent.academia.edu/FrancoisZajega “KINACT: A saliency based Social game”], co-author – Numédiart – Mons [https://link.springer.com/chapter/10.1007%2F978-3-642-30214-5_33 *]
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2011
| + | |
| − | |June
| + | |
| − | |“3DREC: 3D reconstruction and projection tool”, co-author – Numédiart – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |December
| + | |
| − | |“Monumental projections”, co-author – Numédiart – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |Octobre
| + | |
| − | |“Mouse Gesture Composer”, co-author – Quarterly progress scientific report – Numédiart – Mons
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |Septembre
| + | |
| − | |“HUM, an Interactive and Collaborative Art Installation”, co-author - Poster session at ACMMM 2010 – Florence, Italie [http://dl.acm.org/citation.cfm?doid=1873951.1874236 *]
| + | |
| − | | + | |
| − | |}
| + | |
| − | | + | |
| − | == Awards ==
| + | |
| − | | + | |
| − | {| class="wikitable"
| + | |
| − | ! width=5% | year
| + | |
| − | ! width=10% | month
| + | |
| − | ! width=85% | description
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2013
| + | |
| − | |Augustus
| + | |
| − | |Sélectionné prix BNP Paribas Young Artist Talen – projet Disrupted cities – Bruxelles
| + | |
| − | | + | |
| − | |-
| + | |
| − | |2010
| + | |
| − | |October
| + | |
| − | |Lauréat du prix Hamesse – série “Champs Colorés” – Saint-Gilles
| + | |
| − | | + | |
| − | |}
| + | |
“Free software” means software that respects users' freedom and community. Roughly, it means that the users have the freedom to run, copy, distribute, study, change and improve the software. Thus, “free software” is a matter of liberty, not price. To understand the concept, you should think of “free” as in “free speech,” not as in “free beer”. We sometimes call it “libre software,” borrowing the French or Spanish word for “free” as in freedom, to show we do not mean the software is gratis.
>> What is free software?